16 Oct wes montgomery death
Barney Kessel, Herb Ellis, Kenny Burrell, etc.
Es folgten Einspielungen mit Cannonball und Nat Adderley, Harold Land, Milt Jackson sowie Live-Auftritte mit John Coltrane. Superb jazz guitarist. In his early years, from 1926-1930, the Montgomery family lived at 1116 North Miley Avenue, also on the west side, and no longer standing. September 2020 um 21:24 Uhr bearbeitet. John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. [12], With Buddy Montgomery and Monk Montgomery, The Incredible Jazz Guitar of Wes Montgomery, George Shearing and the Montgomery Brothers, "NPR Jazz Profiles the Life and Music of Wes Montgomery", "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire", "Pat Martino: Remember: A Tribute to Wes Montgomery", "Bobby Broom on Wes Montgomery's 1959 Jazz Guitar Impact", "Bobby Broom Organi-Sation to Open for Steely Dan Jamalot Ever After Tour 2014", Examples of Montgomery's licks and signature patterns, Wes Montgomery: The Complete Riverside Recordings, Comprehensive and regularly updated Discography of Wes Montgomery, https://en.wikipedia.org/w/index.php?title=Wes_Montgomery&oldid=983169124, Short description is different from Wikidata, Articles with unsourced statements from May 2020, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License. Durch solche Akkordtechniken betonte er die höheren Intervalle der zugrunde liegenden Harmonien (7, 9, 11, 13), was heutzutage auch als „Upper Structure“ bezeichnet wird. Learning that I was a semi-pro guitar player, Wes asked me what I thought of his new amplifier. The Wes Montgomery Quintet was among the perfomers who put on a jazz concert on the lawn at Central State at 2pm on Sunday, July 13, 1952 for the patients there. He used mostly superimposed triads and arpeggios as the main source for his soloing ideas and sounds. Montgomery gilt neben Charlie Christian als der wohl einflussreichste US-amerikanische Jazzgitarrist. Not much to look at now, but 60 years ago, the sound was a draw when Wes played at 1444 Gallery on Pennsylvania Street. Your email address will not be published. 1967 ad for Murat show featuring Wes Montgomery. Diese Seite wurde zuletzt am 8. His jazz fans were upset, but Montgomery's albums were played on AM radio during the period. In the pantheon of beloved Indianapolis natives, John Leslie “Wes” Montgomery must be in the top ten.
Die künstlerische Qualität dieser Aufnahmen war aber recht unterschiedlich, so dass sie bis heute bei Musikkritikern und Jazzfans umstritten sind. He was pronounced dead shortly thereafter at Methodist Hospital. [11] Broom modeled his guitar-organ trio after Montgomery's. For nearly a year, night and day, he tried to imitate Christian and teach himself the guitar. [1] One of the most influential guitarists of the twentieth century, Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound.
Wes Montgomery war Autodidakt: er hörte erstmals mit neunzehn Jahren die Platten von Charlie Christian, kaufte eine Gitarre und begann, die Soli zu kopieren. It was as if I had an audience with God. He was a smoker who had blackouts while trying to maintain this busy schedule.
Last home of John Leslie “Wes” Montgomery, in Butler-Tarkington. Your email address will not be published. So wurde Wes Montgomery zu einem „Musterbeispiel für den Vermarktungsprozess, dem so viele Jazzmusiker unterworfen sind.“ Creed Taylor hat ihn allein nach dem Gesichtspunkt der Verkäuflichkeit produziert und ihm – was doch, wie der Kritiker Gary Giddins bemerkte, das mindeste gewesen wäre – „nicht einmal erlaubt, auf jeder dritten oder vierten Platte die Musik zu spielen, die ihm eigentlich am Herzen lag.“[5] 1962 sagte Wes in einem Newsweek-Interview: „Ich kenne die Melodie, du kennst sie auch. One of the stories Wes told me was about listening to Freddie Hubbard, who lived nearby, practice trumpet in the morning before going to work as a milkman. In New York City Montgomery recorded A Dynamic New Sound, the Wes Montgomery Trio, his first album as a leader after twenty years as a musician.
Er nahm mit Wes sein Album The Poll Winners auf. Der Text ist unter der Lizenz „Creative Commons Attribution/Share Alike“ verfügbar; Informationen zu den Urhebern und zum Lizenzstatus eingebundener Mediendateien (etwa Bilder oder Videos) können im Regelfall durch Anklicken dieser abgerufen werden. His final resting place is New Crown Cemetery, at 2101 Churchman Avenue. There were still appearances, just not as many, and the venues tended to be bigger when he did: The Circle Theatre in April 1964, Clowe’s Hall in November 1967–he must have walked over from his home, he was so close to the campus. Imagine God asking such a question. Born: 6-Mar-1925Birthplace: Indianapolis, INDied: 15-Jun-1968Location of death: Indianapolis, INCause of death: Heart FailureRemains: Buried, New Crown Cemetery, Indianapolis, IN, Gender: MaleRace or Ethnicity: BlackSexual orientation: StraightOccupation: Jazz Musician, Guitarist, Nationality: United StatesExecutive summary: Superb jazz guitarist, Grammy 1966 for Going Out of My Head Big Band and Jazz Hall of Fame 1983, Do you know something we don't? Imagine that! [6], According to jazz guitar educator Wolf Marshall, Montgomery often approached solos in a three-tiered manner: he would begin the progression with single note lines, derived from scales or modes; after a fitting number of sequences, he would play octaves for a few more sequences, finally culminating with block chords. He joined his brothers Buddy and Monk and vibraphonist Alonzo "Pookie" Johnson in the Johnson/Montgomery Quintet, somewhat in the style of George Shearing. When that business closed in 1997, it was seen as a positive sign for the area, and sometime thereafter, the building was bulldozed and an empty lot still remains on the site, across from a fast food chain. Many of these fabulous musicians grew up playing together in Indiana. His … [7], In 1982, Bob James and Earl Klugh collaborated on a duet album and recorded the song "Wes" as a tribute to Montgomery on Two of a Kind album. John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. On the west side, not far from the banks of the White River stands the home where the Montgomery family lived when Leslie John “Wes” Montgomery was born, on March 6, 1923: 1007 North Pershing Avenue.
Box 2999, Indianapolis, IN 46206 © 2009-2017 HistoricIndianapolis.com, Then and Now: At Vermont and Meridian, Part II – 10 E. Vermont. 1967 wechselte er zum Poplabel A&M, wo er sich auf eine von vielen als seicht empfundene Formel von Easy Listening festlegte.
Grammy Award, Best Instrumental Jazz Performance by Large Group or Soloist with Large Group, Grammy Award, "Eleanor Rigby" and "Down Here on the Ground", 1968, This page was last edited on 12 October 2020, at 17:21. [9], Höchstplatzierung, Gesamtwochen, Auszeichnung, Alternate takes und andere unveröffentlichte Titel der Riverside-Phase erschienen später bei Milestone Records, Als eine Art Wiedergutmachung am Jazzgitarristen Montgomery ist die vorzügliche Kompilation, zit. He resumed performing at local clubs, this time with the Eddie Higgins Trio and the Roger Jones Quintet, playing with Eddie Higgins, Walter Perkins, and Leroy Vinnegar. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. Sein Kollege Jim Hall drückte seine Verehrung so aus: „Ich verbrachte einen ganzen Nachmittag in San Francisco und versuchte seinen Daumen in einer Wagentür einzuklemmen.“[8] Der Gitarrist Carlos Santana sah Wes Montgomery 1967 bei der Grammy-Verleihung im Fernsehen und war begeistert: „Er hatte einen ganz ungewöhnlichen Gitarrensound, wie eine tiefe, väterliche Stimme. [3], He worked as a welder during the day to support his wife and SEVEN children, then performed at two clubs at night until well into the morning.
[3], Montgomery spent two years with the Hampton band. Im Januar 1960 nahm er sein wohl bestes Album auf, The Incredible Jazz Guitar of Wes Montgomery, begleitet von Tommy Flanagan, Percy und Albert Heath. The building no longer stands at 2250. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The most influential jazz guitarist of the 1960s, who expanded the resources of the guitar in each of its main areas: chordal, melodic, and rhythmic. You could wander Indiana Avenue, where he bought his first guitar at a pawnshop; or the 440 Club where he played (at 440 Indiana Avenue); or any of the other “Avenoo” joints he frequented. Auf dem ersten Verve-Album stellte dessen Produzent Creed Taylor Wes als Solisten in einen Big Band-Rahmen mit Begleitern wie Jerome Richardson, Jimmy Cleveland, Urbie Green, Quentin Jackson oder Clark Terry; danach entstand in dichter Folge eine Reihe von sieben Alben mit Small Group, Big Band- und Streicher-Besetzung, auf denen der Gitarrist von den Orchestern von Oliver Nelson, Claus Ogerman oder Don Sebesky begleitet wurde. It had taken Wes a long time to become an overnight success. were copping licks from Wes. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. Please consider supporting this community asset.
He started to teach himself guitar in 1943 (using his thumb rather than a pick) and toured with Lionel Hampton during 1948-1950; he can be heard on a few broadcasts from the period. Indianapolis Star, March 13, 1923, listing the birth of John Leslie Montgomery, as “boy,” among a crop of boys born that week. This was followed by Fusion!, his first album with a string section. The building’s more recent past doesn’t sound as enticing to a history buff…. In December 1955, Bill Gray, the former manager of The Keys, applied to get the zoning changed on 2250 to become a supper club. On June 28, 1959, you could have heard the Wes Montgomery Trio play at the Knights of Columbus Hall at 13th and Delaware streets (before the Knights tore down the original mansion). During one performance, the audience included Cannonball Adderley, George Shearing, and Lennie Tristano. His older brother Monk dropped out of school to sell coal and ice, gradually saving enough money to buy his brother Wes a four-string tenor guitar from a pawn shop in 1935. The early 1960s were a busy one for Wes, filled with travel, albums and awards, so he did not appear as frequently on local stages. Durch Akkordsubstitutionen, die sowohl die Grundlage seines Solospiels als auch der Akkord-Arbeit darstellten, klang Montgomery für die damalige Zeit sehr modern. The advert says “playing nightly,” thought it isn’t clear how many nights.
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