16 Oct inception ending scene
why would the parents continue to live in that home? If you pay attention, every time Cobb flashes back to what happened during he and Mal’s marriage, he is wearing the ring. if you were traveling with a group of likely wanted criminals who use military technology to steal corporate and political secrets, along with a man who is wanted for the *murder* of his wife, after you used said technology to disband the world’s largest energy company, then I wouldn’t give more than a glance to my fellow conspirators at the airport with security and immigration scrutinizing my every step…so it makes sense…just my opinion. But I think he is in reality at the end.
If you watch the totem, it’s wobbling, about to fall over, but it’s cut before you get more than a taste of it, so you’ll doubt if you actually saw it or not. Nolan adds that he tries to leave his movies open to interpretation. Look at it this way. Guys like Clay shouldn’t make definite statements like that when they end up being wrong lol kind of sophomoric. . The inception was performed on Cobb- to rid his self conscious of Mal and Saito supplies the happily ever-after reality in which Cobb chooses to remain. Never in the movie was it stated he’d been gone very long, so the kids would be looking the same. I feel that the ending was just to bring in the poem that Mal and Cobb were saying to each other. I’ll take option 3 – it’s irrelevant whether or not he’s in a dream. The movie is often giving you more information than you realize, but because it is out of context, you unknowingly dismiss it because it doesn’t stick out or doesn’t hold meaning. Rather, what if he left the ending there for you to choose your own reality, and really not care as long as it makes you happy.
Whatever the case, this was easily the best movie I have seen all year. When first watching Inception, things like the impact of death, the significance of totems and memory, the reason as to why someone would be in a delirious state on a beach with nothing but a gun and a top, are all unknowns and we backfill context from our own experiences. Apart from this, there is even the basic confusion of how many levels of dreams there are. In other words, Cobb joined Saito in Limbo a few moments after Saito doed, but that would be yrs and yrs later in dream time because these events occured when Saito and Cobb were in Levels 3 and 4, respectively. But Sir Michael – who starred as Cobb’s mentor Stephen Miles – appeared at a Film4 screening in 2018, and spilled the beans on the ending. I just watched the movie and sat through to end of credits — no extra scene, nothing! The way Nolan shoots it in a dream-like state from the airport all the way here. Create your own unique website with customizable templates. In his dreams you don’t see his father and you can hear his mother. He wasn’t wearing one in the end. Good work. means he’s awake. She would have then re-entered the dream world and induced Cobb into a dream she was now the sole architect of. We backfill understanding from our own experiences until the story can do it for us, and if the story has been well told the perceptions will be different. But they are so deep down that those few moments obviously made up around 50 yrs of Limbo time for Saito. -When they were in the plane and enter the dream where Robert Fischer was looking for a cab in raining weather it was blamed on Yusuf “You couldn’ve gone on the plane” (that stuck with me for somereason) -The killing of Mal seemed to be the execution of the inception of the idea “Kill Mal because she is preventing you from completing your tasks…” or “… going home” -Mal means bad -Train and plane and the ending reality are the base level of his dream (what is presented as “reality”) -In the “sleeping room” i believe the lines were “people come here to wake up- you of all people should know what that is like” perhaps referring to the idea that people wake up from dreams within dreams or to waking up and entering created realities. Saito dies within minutes (or even seconds) of Cobb finding himself in Limbo, but it’s said in the movie that the deeper one goes, the longer time becomes in each dream state. She then tried to get them both to kill themselves to return to the real world, but Cobb wouldn’t. Mal in not in the ending scene. He wished he could have that moment back. Also, if it spins indefinitly it means you are in a dream, if it stops it means you are in reality. Here is my theory: – Yusuf “the chemist” in the warehouse says Cobb has been in Limbo before – Yusuf goes on to say there is no escape from Limbo especially not killing oneself – Cobb stops Eames from shooting Saito because even at the second level of dreaming you cannot kill yourself and wake up – In that same scene Authur says the deeper we go into the dream the deeper we go into Cobb – Now Cobb claims that he and Mal let the train run over their heads and they woke up in the real world. He has “incepted” your minds with wether the totem spins or falls! It’s a brilliant distraction, nothing more. Loose ends and foggy ideas and observations -The guilt of an old man is referenced multiple times. In the movie it is a struggle to determine reality from dream. The kids are way too young in the final scene. wow after reading so many comments, you managed to plant your idea into me. Actually they are different kids wearing different clothes, according to the credits and the wardrobe person on set.
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