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1 hit) was a demonstration of the entire band's strengths, from Fleetwood's instantly recognizable opening drum fill to McVie's somehow singular two-note bass pattern to Christine's sweetly bubbling keys giving the groove its plush texture. The record peaked at the top of both the main United States Billboard chart and the United Kingdom Albums Chart. Still The Same... Great Rock Classics Of Our Time, Creative Commons Attribution-ShareAlike License. Nicks has openly admitted that she has no idea what Rumours' mystical closing track is even about, which is probably one of the reasons it's played such a large part in building the frontwoman's own gypsy-woman mythology. Fleetwood Mac - Songbird (Türkçe Çeviri) by Genius Türkçe Çeviri Lyrics About “Rumours” Rumours is an album released in 1977 by British-American rock band Fleetwood Mac . It was 40 years ago today (Feb. 4) that Fleetwood Mac would release Rumours, one of the most successful albums of the rock era, and a rare mega-blockbuster whose thrills are as intricate and subtle as they are broad-stroked and head-smacking. Once again masterminded by producer/songwriter/guitarist Buckingham, Rumours is an exceptionally musical piece of work -- he toughens Christine McVie and softens Nicks, adding weird turns to accessibly melodic works, which gives the universal themes of the songs haunting resonance. Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend -- it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. (And include an asterisk around No. Let us know what you think of the Last.fm website. This 1975 multi-platimum album, Rumours became Fleetwood Mac's most celebrated album and one of the best-selling albums of all time. While its chart success was historic, much of the legend surrounding the record is born from the group's internal turmoil. With its desert-like production, guitar riffs spilling from everywhere like sand through the song's fingers, and Stevie's uniquely possessed vocals, "Gold Dust Woman" is as alluring and enigmatic as its singer -- a note of anti-closure for the LP to end on, the mysteries of love and life forever unknowable.
It's not the most striking lyric or melody, but the song's gorgeously windswept production makes for some chilling moments, and also allows for a brilliant lead-in to the album's significantly more memorable closer. For one of classic rock's definitive albums, it remains a little jarring what a red-herring the set opens with: Lindsey Bukcingham's rollicking "Second Hand News," a sort of "Monday Morning" redux that points towards little of the intrigue and brutality of the rest of the album. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. © 2020 Billboard. … A daily briefing on what matters in the music industry, Ice Cube on Role in Developing Trump Campaign's 'Platinum Plan' for Black America | Billboard News, Billie Eilish Posts Racy Photo to Hit Back at Body-Shamers | Billboard News, Nicki Minaj Assists Sada Baby on ‘Whole Lotta Choppas’: Stream It Now, Lana Del Rey Unveils 'Let Me Love You Like a Woman’: Stream It Now, Fleetwood Mac's 'Rumours' Turns 40: 11 of the Best 'Go Your Own Way' Covers, 2020 Billboard Latin Music Awards: What You Should Know About the Awards Show | Billboard News. Apologies to Christine McVie, who ends up with the three lowest-ranked songs on the album -- she makes up for it with her fourth song on the set, which we'll get to much higher up -- and no hate meant for "Songbird," an entirely lovely piano-and-guitar ballad that makes an exquisite end to the album's A-side.
Leave feedback, Rumours is the eleventh studio album by British-American rock band Fleetwood Mac. The only one of the album's original megahits -- peaking at No. Not Rumours' best song but arguably its most definitive, and certainly the greatest team effort -- it's the album's only track in which all five members receive writing credits, and also the only one in which McVie, Buckingham and Nicks all contribute to the lead vocal. The song's swagger is all hips, like writer McVie trying on a dazzling sequin dress for the first time, while the pre-chorus -- setting up a refrain that doesn't actually show up until the song's very end -- is the album's greatest revelation; Christine offering an ode of hymnal rapture to the man who got her believing in miracles, while the rest of the band plays her sighing gospel choir in the back. But Fleetwood Mac only have one truly timeless, unforgettable acoustic anthem, and this isn't it. Fleetwood Mac's all-time greatest song (and only Hot 100 No. If there's one song you forget about trying to count off the 11 tracks on Rumours, it's probably Christine McVie's penultimate creeper "Oh Daddy," a Neil Young-paced heartache testimony with perilously low self-esteem ("Why are you right when I'm so wrong/ I'm so weak but you're so strong?") Buckingham and co-lead Stevie Nicks sound almost breathless just trying to keep up, but still manage to bring the necessary anxiousness to point-of-no-return lyrics like "Finally baby/ The truth has been told/ Now you tell me that I'm crazy/ It's nothing that I didn't know.".
The secret weapon of Rumours, shimmying its way out from the thick of the album's B-side, just when you thought it was finally starting to run out of hits. With the pop sense of Lindsey Buckingham and Stevie Nicks now leading the band, Fleetwood Mac moved completely away from blues and created this homage to love, Southern …
4 or 5 for classic B-side "Silver Springs," whose exclusion from the album is basically all you need to know about what a self-destructive hot streak Fleetwood Mac were on at the time.). But Buckingham's critical flaw in this brilliant stop-start rocker was in making going your own way sound less like a dismissal than a granting of release -- compared to spending further time in Lindsey's world of control, another lonely day seems pretty free and easy. And with all the gorgeously frayed vocals of betrayal and broken promise, "The Chain" might still be most memorable for Mick Fleetwood's heartbeat-like bass drum, and the slithering John McVie low-end that introduces the song's inspired, not-getting-away-that-easy coda. Bassist John McVie and his keyboardist/singer wife Christine McVie filed for divorce as guitarist/vocalist Lindsey Buckingham and vocalist Stevie Nicks split, with Stevie running to drummer Mick Fleetwood, unbeknown to the rest of the band. "Go Your Own Way", "Don't Stop", "Dreams", and "You Make Loving Fun" were released as singles. Bill Clinton didn't help, of course, but the fact that the song was co-optable for sloganeering purposes in the first place simply means that it was a cut more basic than the rest of Rumours to begin with. Javascript is required to view shouts on this page. "Been down one time/ Been down two times/ Never going back again" is a rare statement of resolve on an album full of emotional incapacitation, and as much of an affirmation as it makes from Lindsey's delivered perspective, it's just as devastating when considered from Stevie's received viewpoint. It also cloaks the raw emotion of the lyrics in deceptively palatable arrangements that made a tune as wrecked and tortured as "Go Your Own Way" an anthemic hit. Davlen Recording Studio, North Hollywood, CA, Record Plant, Sausalito And Los Angeles, CA, The Record Plant, Sausalito And Los Angeles, CA, Wally Heider Recording Studio, Los Angeles, CA. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. before the sing-along chorus applied necessary order to the situation. Certified at 18 million units by the RIAA. Generations later, the songs on Rumours remain nearly as omnipresent on radio and in popular culture as they were in the Carter era, but the set remains exhilarating and inscrutable, because so few songs of love, faith and addiction have ever been this bloody or brilliant. But that's what makes Rumours such an enduring achievement -- it turns private pain into something universal. Another of the set's folkier numbers, propelled ever forward by some antsy handclaps and a tempo that feels set about 10 bpm faster than it should, creating a nervous energy that would set the tone for much of the album's controversial follow-up, 1979's Tusk. Generations later, the songs on Fleetwood Mac's "Rumours" remain nearly as omnipresent on radio and in popular culture as they were in the Carter era. These personal tensions fueled nearly every song on Rumours, which makes listening to the album a nearly voyeuristic experience.
Largely recorded in California during 1976, it was produced by the band with Ken Caillat and Richard Dashut and was released on 4 February 1977 by Warner Bros. Records.
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